This is the one category on the site where nobody sees the performer and the work happens in a treated room at their house. Most Brisbane voice actors record and send finished audio, which means the booking is really a file transfer with a person attached, and it also means your shortlist is not limited by traffic on the Bruce Highway.
The list here is short, so do not spend a week working down it one name at a time. Send the same script to several of them and ask each for a paid or free sample read of your own words, because that comparison settles it faster than any demo reel will.
Top picks are the acts in this category in Brisbane, with premium listings first (no visible client reviews or ratings in this list).
Not by the hour, which is what surprises people arriving from the rest of this site. The script length leads, counted in words or finished minutes, then usage, which means where the audio will be heard and for how long, and finally the editing and file delivery. Say in your first message where the recording is going to live, or the quote you get will be answering a different question.
Only if the audience is local and you want it to sound local. Australian accents shade by region less than people think, but a Queensland business putting a voice on its own phone system often wants somebody who says the place names like a resident. Beyond that, a home studio makes geography almost irrelevant and you should shortlist on the read rather than the postcode.
Yes, remotely, and it is worth doing for advertising or anything where the tone is specific. For a long training module most clients skip it and send written notes instead, which is faster for everyone. Ask which the actor prefers, because some are much sharper with a live director and others work better left alone with a marked up script.
Settle the revisions first: how many are included, and where the line sits between fixing a stumble and recording copy you have since changed. Nail down the audio format as well, since phone systems in particular often want an encoding nothing else uses. If the words are likely to be updated every few months, ask what a short pickup session costs while you are at it.
Booking a session against a draft, then changing the wording afterwards, is how one small job quietly becomes three invoices. Get the copy approved by whoever gets the final say, count it, and flag any hard length the audio has to fit inside.
Suburb and place names trip up readers from outside the state constantly. Spell out every one of them the way it sounds, along with each surname, product and acronym, and you will save a whole round of retakes.
Everybody thinks their own read is warm, so the word carries no information. Link thirty seconds of audio you like and say what specifically you like in it, and the guessing stops immediately.