The strongest booking in Brisbane is usually hosting rather than a single number. One performer holding the microphone across the whole event, with two or three big moments inside it, gets far more out of the fee than a ten minute spot with silence on either side. That applies to a hen's afternoon, a workplace fundraiser and a fortieth in a function room equally.
Formats vary more than the word drag suggests: lip sync sets, live vocals, comedy, bingo and brunch shows are all here and they are different products. Read what each performer actually does, then tell them who is in your room. Five minutes spent describing the crowd will do more for the evening than anything else you decide.
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A single performance set usually runs fifteen to thirty minutes, because full costume and heels make it hard physical work. Hosting is the longer booking, where the performer is on and off the microphone across two or three hours and the numbers sit inside that. In Brisbane the combined version, hosting plus a couple of numbers, is what most parties actually want.
Brisbane quotes are usually built around a defined block of work rather than the length of your party, so pin down what you are buying before you compare anything. Costume changes, a second performer, a run out to the bay or the western suburbs and who is supplying the backing tracks all move the figure. Each performer here shows their own live from-price, which is the number to start from.
It is regular work and the performers are used to pitching a room where not everyone chose to be there. Give them the industry, the age spread and anything genuinely off limits, and say whether partners or children are coming. Somebody told all that in advance arrives with a set already built for it, instead of finding the line by crossing it in front of your colleagues.
A proper audio feed for the backing tracks, a working microphone, floor space wide enough to move across and be seen from the back, and a light pointed at the performer. A phone plugged into a bar speaker will sink a lip sync number by itself. Get the performer's list at enquiry stage and send it to the venue that week, because all of it is easy a month out and impossible at eight o'clock.
A late night set and a Sunday work fundraiser are two different shows from the same performer, and they would far rather know which one you want. Name anyone who should not be pulled up on stage, and say plainly how blue the material can go.
A private room with a mirror, usable light and a door that locks. The face, the hair and the costume take hours and cost real money to replace, so pointing a performer at a bar toilet is not an answer. Ask the venue on the same day you ask the performer.
Heavy costume, wigs and a courtyard in February do not mix, and a performer will melt in an outdoor spot at four in the afternoon. Put the set somewhere cooled, or move it later in the evening and let the terrace be for drinks.