Most R&B bookings in Melbourne are a voice on top of something else rather than a band. A vocalist singing live over a DJ set is the common shape here, and it is the cheapest way to put real live performance into a party without losing the DJ's control of the floor. Say in your first message whether a DJ is already booked, because it changes the whole conversation.
The pool of specialist R&B vocalists in this city is smaller than the number of general covers singers would suggest, and the strong ones work most weekends. Enquire early, send to several at once, and be ready to look at a singer based out past Dandenong or Werribee rather than holding out for someone in the inner suburbs.
Top picks are the acts in this category in Melbourne, without a review, rating or premium ranking: all these sort keys are tied.
One vocalist over a DJ set for a couple of spots is the modest end, defined sets at a corporate function sit above it, and a singer bringing their own band or a musical director is a different purchase altogether. Late finishes and a run out to the outer suburbs both add to it. Compare the live from-prices sitting against each Melbourne vocalist here rather than any national figure.
Yes, and around Melbourne that is how the majority of these bookings are put together. The DJ keeps the floor moving and the vocalist drops in for two or three spots across the night, which buys you live performance without a band's cost or the stage space one needs. The two of them need a conversation beforehand about keys, tracks and exactly when the singer is on, so introduce them by email once both are confirmed.
Two sets of about forty minutes with a proper rest between them will sound better than three straight hours, and any experienced vocalist will tell you the same. R&B repertoire sits high and pushes the voice hard, so a singer who plans breaks is protecting your night as much as their throat. Build the rest into the run sheet rather than hoping the room will not notice.
No singer here shows a visible review, so live footage is the only honest evidence. Ask for a clip filmed in a room about the size of yours, with the crowd audible, rather than a studio recording or a phone video shot from the front row. Then ask what they sang at their last function and how they handled a request they did not know.
A properly produced instrumental with the original vocal fully stripped sounds like the record. A cheap karaoke version with a guide vocal bleeding underneath sounds like a pub competition and no singer can rescue it. Ask what they use and what they play it back on.
Backing tracks are fixed recordings, so anything pitched badly for this particular singer has to be rebuilt from scratch. That takes weeks and sometimes money. Send your must-play list early and let the singer flag which ones need the work.
Anybody can be loud over a big chorus. Play a live video and listen to the quietest phrase in the song, because control at low volume is where technique either holds or wobbles, and it is what you are paying the premium for.