Distance decides this category in Perth more than anything else does. Flying an east coast performer over means airfares, a night of accommodation and somebody who lands tired, which is a lot of money spent before a single card is turned. The performers below live here, and one who has worked your industry in this town will read the room better than a bigger name who has never been in it.
Work out which of the two jobs you are buying before you compare anything. Roving close-up magic moves through a standing crowd a few minutes at a time and suits the arrival hour, while a stage or parlour show needs seated guests facing one direction and suits the slot after dinner. Barely any of these performers carry a visible review record, so let the video and the answers to your questions do the judging.
Top picks are the acts in this category in Perth, with the most visible client reviews first, then rating; premium listings break remaining ties.
Roving is sold in short blocks rather than by the night, so the totals sit below what live music costs for the simple reason that you have booked an hour or two of somebody instead of an evening. A stage show asks more per hour because it is the main event and carries the rehearsal and the props behind it. The starting figures beside each Perth performer here come straight from their own listings.
Rarely, and be honest about whether your room will know the difference. Two airfares, a hotel night and a lost travel day can double the spend before the show starts, and a local performer who has worked resources, health or government functions here will have a sharper read on your crowd. Keep the travel money and spend it on a longer booking instead.
Two different trades that happen to share a name. A children's performer runs crowd control and comedy for an audience with a very short attention span, while close-up corporate work is sleight of hand at arm's length for adults holding drinks. Some people do both properly, but check the video is of the audience you are actually hosting before you assume the skills carry across.
Roving needs nothing at all beyond somewhere to stand, which is part of why it fits rooms where a band would not. A stage or parlour show usually wants a microphone, a clear focal point and enough light on the performer, and the requirements should be in writing before you sign anything. Ask what they need from the venue in the same message you ask the price.
If the budget only stretches to one hour, spend it while guests are gathering with drinks and nobody knows who to talk to. That hour sets the temperature of everything after it, and a roving performer does the job no band or DJ can.
A roving hour covers a small crowd completely and a large one barely at all, and the honest performers give you that arithmetic before you book. Give them your headcount and have them work the hours out backwards from it.
Perth afternoons run hot and dry and a breeze off the river will take cards off a table. Ask what an outdoor booking changes for them, and have a spot out of the wind and the direct sun in mind before they arrive.