Eight people in flares need somewhere to stand, and that is the sentence most Melbourne bookings of this kind fall over on. The rooms people hire around Collingwood, Brunswick and the top of the city were warehouses and shopfronts first, which means depth is usually the thing missing rather than width. Get a tape measure into the corner where the band would go before you fall for anybody's video.
The list on this page is one of the shortest on the site, so treat it as a handful of options rather than a market to shop around in. Send the same message to several at once, and if none of them are free on your date, widen out to a soul or funk act with horns, which is most of the same music by a different name.
Top picks are the acts in this category in Melbourne, with the most visible client reviews first, then rating; premium listings break remaining ties.
Headcount does almost all of the work here, because this music needs more people on stage than a covers band does and every one of them is giving up a Saturday. The starting figures beside each act came from the act itself and usually describe their smallest workable lineup, so ask what the full horn version adds before you compare two of them. A Friday in late November, when the racing run and the Christmas run overlap, is a different conversation from a Sunday in July.
More than the same number of people standing still, because horn players move and singers work the front. Ask each act for a minimum width and depth in metres and then go and measure the actual corner with the tables where they will be on the night. Melbourne heritage rooms and converted warehouses often have far less usable depth than the listing photos suggest, and a big band squeezed flat against a wall loses the look you paid for.
For the back half of the night it is excellent, because the songs are old enough that everybody from the grandparents to the cousins knows them. Where it gets awkward is dinner, since this catalogue has no quiet setting worth the name. Book something smaller for the arrival and the meal, or ask whether the act can send two or three of its players to cover that part before the rest arrive.
It is short, and pretending otherwise would waste your afternoon. Enquire with every act on the page in one sitting rather than waiting for replies one at a time, since availability rather than price is what will decide this. If the date is fixed and nobody can do it, look at the funk and soul listings next, because a large share of that repertoire is the same era played by the same kind of lineup.
Real horn players and a keyboard patch doing the same job sound nothing alike, and both turn up under this heading in Melbourne. Ask for a plain answer, because it is usually the biggest single difference between two quotes that look similar.
Almost nothing on this list carries a written review, so the star column will not sort it for you. Watch one video the whole way through with the sound up, then ask the same three questions of each act and compare how they answer.
Some Melbourne acts play the era in full period dress and some play it in black. A themed 50th wants the first, a formal awards room usually wants the second, and saying which you want in the enquiry saves an awkward arrival.