Adelaide's festival season does something to this market that no other capital deals with. For a stretch of February and March the city fills with touring comedians and the local ones are working every night, which is excellent if you want to watch comedy and difficult if you want to book one for a Tuesday conference dinner. Outside that window the diaries open up considerably.
The local list is genuinely short, so enquire with several performers at once rather than waiting for one to reply. If nothing fits, a comedy MC or a general stand-up who has done corporate rooms before is a reasonable second option, and worth asking about in the same message.
Top picks are the acts in this category in Adelaide, without a review, rating or premium ranking: all these sort keys are tied.
Nobody in this trade really sells by the hour, which is the first thing to understand. An Adelaide quote rises and falls on preparation instead. At the bottom is an existing routine with the language tidied for a workplace; at the top is a performer who has spoken to you, read up on your sector and written a section that would not work at anybody else's function. Ask what each fee includes before you weigh the starting figures on this page against each other.
Somewhere between twenty and forty minutes covers most work functions, and erring short is nearly always wiser than erring long. To open a conference, less again will do, since that job is about waking up a room that walked in flat rather than filling a gap in a schedule. Write the agreed duration into the quote, so nobody is padding out an unplanned ten minutes while the dessert plates go past.
Nearly all of them will, and that tailoring is what justifies the fee over a general stand-up. In return they need something real to work from: your sector, the kind of twelve months your people have had, and the handful of in-house jokes already circulating in the tearoom. In a city where half the room went to school together, those in-house jokes land harder than anything a professional could invent from scratch.
The reliable spot is once the meal is done and before the music starts, because by then everyone is sitting down, fed, and past the formal business. Schedule the set ahead of the awards and the awards are what suffers, since nobody sits still for a trophy list once they have been laughing. Drop it in after a long block of presentations instead and you are asking one person to revive a room that stopped listening an hour ago.
A restructure, a safety incident, anything that made the local news. Written down a fortnight ahead, it shapes the material. Mentioned at the door on the night, it evaporates before the microphone is on.
Late summer and early autumn is when every comedian in town is already committed and the visiting ones are charging what a festival run is worth. A date outside that stretch buys you more choice.
Banquet rounds in a convention centre leave a third of the room looking at a wall. Have the venue turn the seats towards the stage, or your comedian spends the set talking to the backs of heads.