The thing that separates two Adelaide cover bands on paper is almost never the song list. Everyone plays roughly the same hundred songs. What differs is how many of them are in the room, how loud they can go where you are holding it, and whether they read a crowd or just work through the set.
Watch the videos before you shortlist. Thirty seconds of a band actually playing to people tells you more than any amount of description, and most of the acts here have footage sitting on their profile.
Top picks are the acts in this category in Adelaide, with the most visible client reviews first, then rating; premium listings break remaining ties.
Count the players first, because a three-piece and a six-piece are not the same product and the price gap between them is the biggest one you'll see. Then it's whether they bring the PA and lights or use the venue's, how long they play, and the drive, with a Barossa or Fleurieu booking priced above a city pub. Saturday nights in November and December sit above the rest of the year because of work parties. The from-prices on this page are what Adelaide cover bands are asking now, so use them as a floor and ask what lineup that number buys.
Within reason. An Adelaide pub band will have a couple of hundred songs they can play cold, and a request that's on that list gets played; one that isn't gets a polite no or a rough version. For a private party, send five or six must-plays in advance so they can rehearse them, and leave the rest to the band.
They can, and Adelaide's flat blocks and big backyards in the eastern and northern suburbs suit it. What kills it is the neighbours and the council: amplified music outdoors after about ten at night will draw a complaint in most suburbs, so plan for the band to finish by then and a playlist to carry on quietly. Tell the band it's outdoors so they bring a rig that copes with weather and enough power leads to reach the house.
For a Friday or Saturday between October and December, three to four months in Adelaide, because corporate Christmas parties book the good bands first. A midweek or winter date can often be done inside a few weeks. Fringe season is the other pinch point, for reasons covered further up this page.
A four-piece in a small function room is loud. A three-piece in a big shed with a hundred guests can vanish. Tell the band the space and the headcount and let them tell you what size works.
Three forty-five minute sets with music between them is the usual shape. Ask what happens during the breaks, because silence at that point flattens a room quickly.
February and March put a lot of Adelaide's musicians into Fringe and Festival contracts. A party in that window needs more notice than the same party in August.