Two different things get sold under the word tribute, and the Perth pool contains both. One is a production with a running order, costumes and patter between the numbers, built to be watched. The other is simply a band working through one artist's catalogue for three hours while people dance, and the two get quoted nothing alike.
Almost every act on this list is Perth based, out of the city itself with a few down at Fremantle and up around Mindarie. That is a small market by national standards, so the established shows fill their November and December dates early and there is no option of pulling someone across from Adelaide at a fortnight's notice.
Top picks are the acts in this category in Perth, with the most visible client reviews first, then rating; premium listings break remaining ties.
The size of the production is the main lever, then the length of the show and how far out the venue is. A two-piece act doing one artist's songs and a full staged production with costume changes and lighting are worlds apart on price, and only some of the Perth shows list a starting figure at all. Treat the starting figures below as an opening point and ask each act what their full production adds on top.
Most are built as one set of around sixty to ninety minutes, or two shorter halves with an interval. That is the product, and stretching it usually means adding a general covers set at the end rather than more of the show. Ask which you are being quoted so the run sheet matches what actually happens.
Margaret River and Dunsborough are a regular run for some of these acts and a flat no for others, because three hours each way plus a full staging kit means a night away and a crew to pay for. Karratha or Broome means flights and freight for the gear, which is a different conversation again. Name the town when you write and you will find out fast enough who takes that work.
A cover band plays songs by lots of artists and keeps a dance floor busy. A tribute show commits to one artist, in costume, with a structure that builds to the songs everyone came for. If you want people dancing from eight until midnight, book the band. If you want a moment the room stops for, book the show and put a DJ around it.
A show runs for a set piece, not for five hours. Pin down the exact running time, then plan the hours either side of it, since a DJ often fills them.
Full stage outfits in January are genuinely punishing. Push an outdoor show later into the evening once the sea breeze has arrived, and get something over the stage.
Some shows travel with lighting and a backdrop and want time and access to set it up. Ask for the load-in requirements in writing before you book a venue with a narrow door and no lift.