Settle the singing question before you shortlist anybody. A guitarist playing instrumentally is furniture in the good sense, sitting beneath the conversation through arrivals and a meal with nobody expected to stop and listen. Put a voice on top and that same person becomes the thing your guests are watching, at a higher volume and a higher price. Those are two bookings, not two versions of one.
Then there is the Illawarra itself. A southerly comes off the water most afternoons and the escarpment funnels it, while a good share of the ceremony spots around here sit on sand or high on a headland where no outlet exists within cable reach. What a player carries for that matters far more than their song list. Ask a few of them at once, too, because this is not a long list.
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One player is about the least you can spend and still have live music in the room. The number moves on three things: hours, the drive, and whether there is a voice as well as an instrument. A ceremony on its own is twenty minutes of music inside a long block of waiting, so keeping the player on for canapes afterwards costs far less than a separate booking would. Ask for a figure that already includes reaching your venue.
Thirty guests packed close in a sheltered spot, absolutely, and with no amplification at all it sounds better than a budget speaker ever will. On an exposed Illawarra clifftop the wind carries everything sideways and the last rows get silence, which is a costly way to have no music at your wedding. Since hardly any of the favourite spots sit near a power point, ask what battery equipment the player owns.
Most will, given a month and a link to the exact recording playing in your head, because a surprising number of requests turn out to be somebody else's version of somebody else's version. Popular aisle pieces are often already in their repertoire. Ask them to send a rough phone recording when it is ready, so you are not hearing their arrangement for the first time as you start walking.
Background playing rarely prompts anyone to write anything afterwards, and there are far too few ratings here to sort by regardless. Find a full piece filmed outdoors at a genuine event and pay attention to the spaces in it, because somebody who crams every bar is impossible to talk over. After that, judge the first email: a reply that engages with your actual venue tells you plenty.
Guests being seated, the aisle, the signing and the walk back out all want different lengths, and only the aisle has to stop dead on a nod from your celebrant. Hand over the timeline and let the guitarist choose the music for each part. Being able to stretch a piece live is the whole reason you hired a human.
Sydney guitarists are happy to drive down the freeway, and some of what looks local is exactly that. Before two figures go side by side, find out whether one of them quietly contains an hour of the M1 in each direction.
A stiff afternoon southerly knocks speakers off their stands and strips the top end off a nylon string guitar before it reaches anybody. Pick the ceremony spot with the wind in mind, tell the player which corner it is, and check how long their battery holds out.