Very few people come looking for party entertainment here, because a kit by itself does not hold a room. There are three other reasons anyone lands on this page, and they are so different that the quotes you get back will look unrelated to each other.
The three are filling a chair in a band, playing live percussion over a DJ set, and roving drumming as a spectacle in its own right. Brisbane has people doing all three, in a list that is short enough to read in one sitting. Work out which one is yours before you write a word.
Top picks are the acts in this category in Brisbane, without a review, rating or premium ranking: all these sort keys are tied.
Yes, and it is one of the more common bookings here, at pool parties, brand nights and receptions once the formal part is done. Congas, bongos or pads played live on top of the DJ's music puts a performer in front of the crowd without competing with the music. Sort two things beforehand: that the DJ has agreed to it, since the two of them have to be following one another all night, and which input the drums are going through.
Several players carrying big drums out among the guests, walking a crowd from one room to the next, or opening an event with a burst of noise nobody can talk over. It sells in short blocks, a quarter of an hour built around one point in the evening rather than a set across the night. Describe the moment you want filled and the performers will tell you whether the space takes it and how many of them it needs.
The player is fine, the gear is the issue. Humidity and an afternoon storm from November onwards are routine here, and electronics and cymbal hardware sitting in the open on a deck is a plan waiting to fail. Agree beforehand where everything moves to if the sky goes dark, and who makes the call.
For this trade a rating would tell you little anyway, since most of the work is one musician helping another rather than a public show. Watch video of them playing, and read what they say about reading charts, learning from recordings and the notice they need. Then check that the answer they send back addresses the job you actually described, since a session player pitching a party show has skimmed your email.
A full kit is a car load, needs real floor space and takes time at both ends of the night. A percussion setup appears in ten minutes and fits in a corner. Which one turns up changes what you have to tell the venue, so ask rather than assume.
Links to the actual tracks beat a list of song titles every time, and a working player will tell you honestly how much rehearsal they need. Ask how much notice they want for new material while you are at it.
Brisbane hotel ballrooms and riverside function rooms often cap amplified sound, and drums are the loudest thing a room will hear all night. Get the venue's condition in writing before you book, not after somebody is asked to stop mid set.