A dance band is hired to fill your floor, not to be watched from a seat, and that separates it from a dance troupe or a floorshow act. The job is to read a Melbourne room at half past nine, work out what the people still standing want, and keep them there until the venue turns the lights up.
Lineup size is the main decision you'll make. A four-piece with a strong singer will hold most reception rooms, while horns and a second vocalist give you a bigger, louder sound that suits a warehouse space in Collingwood or Brunswick better than a small restaurant. The bands on this list mostly sit in the city and the inner north, so a Yarra Valley or Mornington booking usually carries travel.
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Count the players and you've mostly answered it, since each musician is a fee, a share of the van and another hour of setup. A five-piece with horns for a Saturday in November is a different quote from a four-piece on a Friday in June. Read the starting figure on each profile as today's real Melbourne number, then ask what lineup it assumes before you put two of them side by side.
Three sets of about forty-five minutes across a four or five hour night is the usual shape, with recorded music through the breaks. If your reception has a long sit-down dinner, some Melbourne bands will play a quieter background set during the meal and count it as one of the three. Settle that when you enquire, because a band playing dinner and then dancing is doing a longer night than the standard quote covers.
In practice there's a lot of overlap, and many Melbourne groups list as both. The real distinction is the setlist's job: a dance band builds the night around keeping people up, so it leans on rhythm and the songs everyone already knows, while a cover band might happily play an hour of material you sit and listen to. If your priority is a full floor at the end, say so and ask what they'd play in the last half hour.
Usually one or two if you ask far enough ahead, and a month is a reasonable minimum for a first dance or a birthday song. Melbourne's working bands rehearse around gigs, so the request that lands a fortnight out is the one that gets declined politely. Name the exact version you want, because a band learning the wrong recording of a well-covered song is a common and avoidable disappointment.
Three sets means two gaps, and a floor that empties in a break can be hard to refill. Any decent Melbourne band has a playlist ready, and some will leave a keyboard player on quietly instead.
Warehouse and converted-factory venues around the inner north often have one circuit and a flight of stairs. Both change how long setup takes, and a band told in advance will bring the right gear and the right number of hands.
Melbourne councils and venues cut amplified music at different hours, and the band can only play until then. Knowing the real cut-off before you book stops you paying for a set that can never happen.