Let us be straight about this one, because it is not like the rest of the categories on this site. Most metal bands in Australia are original acts with their own material, their own following and their own touring plans, not function bands waiting for a private booking. Hiring one is closer to booking a support slot than hiring a wedding band, and the conversation works differently as a result.
That is not a warning, it is just the shape of the market. If you run a venue, a festival, a bar or a launch and you want this music, there are good bands here and they will absolutely take the work. Live figures from the listed acts are below, though fewer acts publish a price in this category than in most.
The split matters more here than almost anywhere. An original band plays its own songs, which is what you want for a venue night, a festival stage or a support slot, and it brings its own audience through the door with it. A covers band plays the songs everyone in the room already knows, which is what you want for a party, a birthday or a pub crowd who came for a drink rather than for you.
Ask which one you are talking to in the first message. Plenty of acts do both, and a band with an originals set and a separate covers set will tell you honestly which one suits the night you have described. Booking an originals band for a crowd expecting singalongs is the classic mistake in this category.
There are not enough listings in any one city to show a useful city price table yet. Check the profiles below for advertised starting prices, or enquire for a quote for your date and venue.
The figures below come from the acts who list one, and there are fewer of them here than elsewhere. That is because a lot of this work is not a flat fee at all. Venue bookings often run on a door split, a guarantee against the door, or a fee plus a bar arrangement, and bands in this scene are used to negotiating those rather than quoting a wedding-style price.
If you are a private booker rather than a venue, ask for a straight fee and say that is what you want. It avoids a confusing back and forth. If you are a venue, be clear about the deal structure in your first message, because it is the first thing the band will want to know.
This is the loudest thing you can book. Guitar cabinets, a bass rig and a kit played hard produce a level that no amount of polite asking brings down much, because the sound comes off the stage before it reaches a mixing desk. A room with a strict noise limit or a residential neighbour is going to have a problem, and you should find that out now rather than at half past nine.
The practical list is short but non-negotiable. Power on the stage that can take several amplifiers, a floor that can hold a drum riser and several heavy cabinets, a load-in path that does not involve a spiral staircase, and somewhere for the band to leave cases. Ask what they are bringing and whether they need anything from your system.
Venue nights and bills with other bands, obviously. Beyond that, metal gets booked for festivals, for brand and product launches aiming at a particular audience, for tattoo and motorcycle events, for university and club nights, and occasionally for a birthday where the person being celebrated has wanted this their whole life. That last one is rarer than the internet suggests but it does happen and it is a great night when it does.
For weddings it is nearly always the wrong headline booking and the right feature moment. One song, or a short set at a specific point in the evening, gets you everything you wanted without asking a room of relatives to endure an hour of it. Say that is the plan when you enquire, and the band will pick the three songs that do the most work.
Are you playing originals or covers for this, and can you do either? What is your stage power and space requirement? How loud are you at the quietest you can reasonably be? Do you bring your own engineer? And how long is your set and how many can you play?
Ask about the singer too, since this is a genre where vocal style varies enormously and the category name covers everything from clean melodic singing to screamed vocals. If the room has any doubt about which one it wants, watch footage together before you confirm anything.
Top picks are the acts in this category across Australia, without a review, rating or premium ranking: all these sort keys are tied.
Flat fee, door split or guarantee are different conversations. Say which you are offering in the first message and the rest goes quickly.
Ask your venue what its cutoff and decibel limit actually are. This is the category where that number decides whether the booking works.
At a mixed event, one short set at a fixed point lands far better than three hours. Tell the band that is the plan and they will shape it.