You have an advantage here that almost nobody booking an act in this country has, and hardly anyone uses it. The bands on this page play real rooms most weekends, and a good number of those rooms are on High Street or a few minutes away in Northcote and Preston. So instead of watching a promo video shot at somebody else's wedding, you can go and stand at the back of a pub on a Friday and watch them work a crowd that didn't pay to see them.
The list itself is the inner-north pool, which is the same one Northcote, Preston and Brunswick draw on. Everyone in the closest ten gives Melbourne as their base, a short ride down St Georges Road, and all of them carry reviews left by people who booked them. Cover bands and DJs are the deepest trades, with duos and singers behind.
Top picks are the nearby performers with the most visible reviews, then rating, then the closest; further afield the closest come first, and premium listings break remaining ties. Distances are straight-line from Thornbury. Ask each act whether they travel to your venue and what that costs.
In the inner north, more often than not. Ask for their next public gig in your first message, because the acts who work regularly will name one and the ones who don't will change the subject. Standing in a room while a band reads a crowd is the best half hour you'll spend on this decision.
The ten closest are all pinned to the middle of Melbourne, which the distance on each card tells you plainly. It's a short run up Nicholson Street or the train line, so nobody is pricing that as travel. Further down the wider list there are musicians right through the northern suburbs, and the catalogue records a decent cluster in Brunswick and Fitzroy.
Hours first, then lighting, then whether they're also running a microphone for speeches. Distance barely registers on a Thornbury booking because the DJs on this page live a few suburbs away. The from-prices beside each card are current starting points, and telling a DJ your finish time gets you a number that means something.
Anything, as long as somebody has thought about the echo. Hard walls and a concrete floor make a good band sound like a bad one, and the acts who work these rooms will tell you what they bring to tame it. Send a photo of the space with your enquiry and let them raise it before you have to.
Most of these acts have a gig diary and they'll happily tell you about it. Half an hour at the back of a room tells you whether a band can hold a floor, which is the one thing a showreel is edited to hide.
A lot of the function spaces around here sit above or behind a shopfront with a loading zone that expires at six. Tell the act where they can pull up and how many steps there are, because that decides the rig more than the guest count does.
They overlap, but the polished reception version and the sweaty Thursday-night version are sometimes different line-ups with different prices. Ask which one you are quoting, and ask for footage from the kind of room you've actually booked.