Of every suburb in this state, Fitzroy is the one the most Melbourne acts give as their home address, and it's not close. That's the old Brunswick Street live-music history still showing up in the data, and it means something practical for you: a band you book here is likelier than anywhere else to be made up of people who live within walking distance of your party. The ten on the first screen are mostly pinned to the city centre next door, but the wider pool behind them tilts heavily to this postcode.
What Fitzroy books is the small end of live music. Bar rooms up the top of Brunswick Street, courtyard birthdays, terrace-house parties that spill into a laneway, the odd gallery opening wanting a jazz trio in the corner. Big stages are rarer here than three streets of pubs would suggest.
Top picks are the nearby performers with the most visible reviews, then rating, then the closest; further afield the closest come first, and premium listings break remaining ties. Distances are straight-line from Fitzroy. Ask each act whether they travel to your venue and what that costs.
Some are. More acts list Fitzroy as their base than any other suburb in Victoria, so the odds here are better than on most pages, but the nearest ten mostly give the city centre as their address, which is a two-minute drive. Each card shows where the act is based, so you can check before you enquire rather than guess.
Three or four players, in most of the rooms along Brunswick and Gertrude Streets. Once you add horns or a second guitarist you need a proper stage and a PA that the room may not have, and the act ends up playing at half volume in a space that can't take it. Ask the venue how many people have played there at once, and work back from that.
Length of the booking is the biggest single factor, then whether they bring sound and how far they travel. Two forty-five minute sets in a courtyard with their own small PA is a very different quote from four hours of background music with a break. The from-prices on the singer and duo cards above are current, and an enquiry with your hours in it gets you a real number back.
A terrace lounge room or a bar's back nook will take a duo comfortably and a five-piece not at all. Get a tape measure out, count the power points, and send those numbers with your enquiry.
Most of these bands will do a stripped-back version without a drum kit, which fits a courtyard, keeps the neighbours off your back and usually costs less. Ask for it by name rather than assuming it's the same band turned down.
Melbourne will turn on you in an afternoon, and electrics outdoors in the wet are a hard stop for any act. Agree in advance where they move to, and make sure that spot has power.