Two kilometres. That is the distance between Docklands and where nine of the ten acts below say they live, and for once the word local survives contact with the map. They are not Docklands acts, mind. They are Melbourne acts, and the city centre is close enough that the difference stops mattering.
The rest of what happens here is the building, not the drive. Docklands is towers, a waterfront and a lot of office floors, so the bookings run to work functions, Christmas parties in a common room forty storeys up, and the occasional wedding in a room with a view of the harbour. Every one of them involves a freight lift, a booked loading dock and a building manager with opinions.
Top picks are the nearby performers with the most visible reviews, then rating, then the closest; further afield the closest come first, and premium listings break remaining ties. Distances are straight-line from Docklands. Ask each act whether they travel to your venue and what that costs.
On travel, yes, and by a good margin. Nearly every act with a Melbourne address is minutes away, so nobody is pricing a drive and a late run home into your quote. The friction here is access instead of distance, which is why the dock and the lift matter more than the postcode.
A duo or a small band for the room while people eat, then a DJ once the tables are pushed back, is the shape most office parties here settle into. A full cover band is great in a big open floor and less so in a carpeted meeting suite with a low ceiling. Say how many are coming and what the room is made of, because that answer changes with the ceiling height.
They can, but power and wind decide it. Outdoor spots along the water rarely have enough accessible power for a full backline, and a gust through a light stand is a genuine hazard. Ask the act what they need and check with the building before you promise anyone a set beside the harbour.
Most Docklands towers want the dock and the service lift reserved in advance, sometimes weeks. An act arriving with a van and nowhere to put it is the commonest way a night here starts badly.
Anything on a balcony, a promenade or the dock edge gets a steady southwester most of the year. Music stands, light trees and a marquee all need weighting, so tell the act the spot is outdoors and exposed.
Residential towers here run noise rules that a hired room does not override. Get the cut-off from the building manager in writing, then send it on so the hours in the quote are the real ones.