Three kilometres. That is all that sits between Albert Park and the Melbourne addresses on nine of these ten cards, which puts this among the shortest trips on any page in the state. The tenth act is a cover band out at Cheltenham, seventeen kilometres down the bay, and it is the only one where the distance is worth a second thought.
Book around March, though. The grand prix takes over the park and the roads around it for the best part of a fortnight, with closures, fencing and a crowd, and an act trying to reach a house on Beaconsfield Parade that week will tell you about it. Outside that, the suburb is Victorian terraces, the lake, a few sporting clubs and a lot of parties in rooms that were built for smaller gatherings.
Top picks are the nearby performers with the most visible reviews, then rating, then the closest; further afield the closest come first, and premium listings break remaining ties. Distances are straight-line from Albert Park. Ask each act whether they travel to your venue and what that costs.
You can, but plan the access rather than the music first. Road closures and fencing around the park make getting a van anywhere near a venue slow in that fortnight, and an act will need to know well in advance. Give them the exact address and the day, and be ready to arrange a drop-off point away from the closures.
Something small and self-contained: a solo singer with a guitar, a duo, or a DJ with a modest setup. The rooms are narrow and the neighbours share a wall, so volume is your main constraint rather than choice. If you want a bigger sound, look at a club or a hired room nearby instead of squeezing a band into the front lounge.
Almost none in practice. At three kilometres the city acts treat it as their own patch, and the thing that costs you money here is parking and access, not distance. Ask instead about load-in, since a terrace with no driveway is the part that takes an act longer than the drive did.
Some do, and it is a fine spot on a still afternoon, but the ground is public land and amplified music there has rules and permits attached to it. Check with the park's managers before you promise anyone a set on the grass. A battery-powered soloist is the setup most likely to work without a fuss.
The park closes off for the grand prix each March and the surrounding streets go with it. If your event lands in that window, warn the act early and expect a conversation about access rather than music.
A single-fronted terrace with a rear extension gives you one decent room and a courtyard. A duo or a trio sounds right in that space, and a band with a full kit will not.
Anything on the foreshore side or out in the open near the lake gets a proper breeze most afternoons. Say so when you enquire, because a canopy and a light stand both want sandbags in that.