Melbourne's corporate year has two peaks, not one. Spring Racing runs from late August to the end of November, and through October and early November it takes corporate hospitality budgets, staff time and venue capacity with it. Then the Christmas season starts more or less the moment it finishes.
So for a band, late October to mid December is one long run with no gap in it. For you, booking a November function means competing with the Carnival for rooms and for acts, not just competing with other Christmas parties.
Top picks are the acts in this category in Melbourne, with the most visible client reviews first, then rating; premium listings break remaining ties.
Lineup size drives the number more than anything else, and Melbourne bands will usually quote the same players as a three, a four or a five. After that it's the date: a Friday in November during the Carnival run is priced differently from a Tuesday in July. The from-prices on this page are what Melbourne corporate bands are quoting right now, so start there and ask for the lineup options.
The usual shape is two or three sets of forty-five minutes with breaks between them, and a good band times those breaks around your speeches rather than the clock. In a Melbourne CBD hotel ballroom you'll often lose a chunk of the night to a formal program, so tell the band how many awards and speakers there are. They can shorten the background set and keep the dance set intact.
Depends on the room and the crowd. A band gives the night a centrepiece and works well in the big Docklands and Southbank function spaces where people are spread out. A DJ is cheaper, fits into a laneway bar and can run from six until close without a break. Plenty of Melbourne companies do both: band for the first two hours, DJ to finish.
Power, a stage or a clear flat space, and load-in access, which in Melbourne means asking whether there's a loading dock or whether the gear comes in past guests through the front door. Older CBD buildings and converted warehouses in Collingwood and Fitzroy often have stairs and no lift. Tell the band the venue and they'll tell you what else they need.
Hard floors, brick and a high ceiling swallow a three-piece. Melbourne has a lot of those spaces and they sound very different full than empty, so tell the band the venue and let them tell you the lineup.
Most corporate nights need both, and they are genuinely different skills. A band that can play under conversation without killing it is worth more than one that only has one volume.
June and July carry real function work around end of financial year, but nothing like the spring crunch. If your event can move to winter you will have the pick of the city.