You can see the city from the South Perth foreshore, and that view is basically the whole story of this page. The acts nearest to you are Perth's, pinned to the city, and the water between you is the only thing making the trip longer than a walk. It is the shortest drive on any Perth suburb page, and every one of the ten carries reviews from earlier bookings.
Perth is the smallest pool of the mainland capitals, so the same strong names turn up across a lot of these suburb pages and there is no point pretending otherwise. What South Perth changes is the setting rather than the cast: a trio on a lawn with the skyline behind it, a jazz group at a function on the river, an impersonator at a corporate night in one of the hotels along the foreshore. Book for the view and the light, because that is what people came for.
Top picks are the nearby performers with the most visible reviews, then rating, then the closest; further afield the closest come first, and premium listings break remaining ties. Distances are straight-line from South Perth. Ask each act whether they travel to your venue and what that costs.
Barely at all. The pin is the city itself and South Perth is the other side of the Narrows, so this is close to the shortest trip in the metro area. It means travel should not appear on your quote, and if it does, it is worth asking why.
Because Perth's pool is genuinely smaller than the eastern capitals', and most of it is based in the city rather than spread through the suburbs. So the reviewed names near the top move around a bit from page to page but largely stay the same ten. It is not a fault in the list; it is what the supply looks like when a city is this isolated.
Something that stands up outdoors and does not need a wall behind it. A trio or a duo carries a lawn gathering well, and the jazz and classical acts on this list suit a function where people are eating with the skyline in front of them. Ask what the act needs for an outdoor set, because power and a flat surface are the two things the foreshore does not supply.
The bridge is minutes but a closure or a big event in the city sends everyone the long way through Victoria Park. If something major is on in town that night, say so, because it is the difference between a five minute trip and half an hour.
The lawns along the river have views and no power points where you want them. Sort out a generator or a lead from the building before the act arrives, and tell them what they are getting, since an acoustic set is the fallback if the power does not happen.
The good part of an evening here is the light going down over the city, and you want the act playing through it rather than still unloading. Work the set times back from sunset and give them an arrival time that allows for it.