Three kilometres. That's the distance from the middle of Sydney to Rozelle, and it's the shortest gap on any of the inner west pages, which makes the top of this list about as close as a Sydney booking gets. The whole nearest ten sits on that same city pin, so the order you're reading them in comes from their review histories rather than from any of them being nearer than the others.
The peninsula books like a peninsula. Terraces with a courtyard out the back, the odd big house with a view over the bay, community and school events at the Rozelle end, and receptions in a hall or a club room. Duos and soloists dominate the closest cards, which is convenient, because Darling Street on a weekend is a difficult place to unload a van.
Top picks are the nearby performers with the most visible reviews, then rating, then the closest; further afield the closest come first, and premium listings break remaining ties. Distances are straight-line from Rozelle. Ask each act whether they travel to your venue and what that costs.
There's no case for it on a trip this short, and most quotes won't mention it. The peninsula is minutes from the city over the Anzac Bridge or along Victoria Road, and every one of these acts drives it regularly. If a travel line does turn up, ask what it covers before you accept the quote.
Because they're all pinned to the same spot in central Sydney rather than to their actual front doors. It means the ordering on the first screen reflects each act's record with past clients, not proximity, which is arguably more useful anyway. The number on the card is measured from that pin, so read it as a rough guide.
A duo or a solo singer with a compact rig, and an honest conversation about volume. The courtyards around here are small and walled, which makes them sound bigger than they are and carries the noise straight over the back fence. Give the act the dimensions and the finish time and they'll size the setup to it.
Number of players and the length of the booking, and then whether you want background music or a set that gets people up, because those are often different line-ups. A trio behind conversation at a lunch is a lighter job than a swing set with a vocalist at nine at night. The starting figures on the cards are current, so compare them once you've settled which version you mean.
Darling Street has no stopping bays worth the name and the side streets slope. Tell the act exactly where they can pull up and how far the gear travels on foot, because that's the number that changes what they bring.
Most of the bands on this list have a trio or duo version that fits a courtyard and costs less. Request it specifically rather than booking the full band and asking them to play quietly, which never works as well as people hope.
Balmain, Leichhardt and Annandale draw on the same city pool, so there's no separate roster to go hunting for a few streets away. Pick the trade you want and compare within it instead of comparing suburbs.