You are a kilometre from the city here, which makes this one of the shortest runs any act on the site makes for a booking. Distance is a non issue. Everything else about the suburb, though, works against a loud act: narrow terraces, apartment blocks stacked on top of small venues, a street plan that never expected a van, and neighbours close enough to hear a bass line through a wall.
So the acts that do well around here are the ones that can work quietly and still hold a room. All ten of the nearest names carry reviews from past clients, which helps, because a review from someone who played a small inner city space tells you more than a photo of a festival stage does.
Top picks are the nearby performers with the most visible reviews, then rating, then the closest; further afield the closest come first, and premium listings break remaining ties. Distances are straight-line from Potts Point. Ask each act whether they travel to your venue and what that costs.
A soloist or a duo with a modest speaker, and ideally someone who has played a residential building before. Acoustic guitar and a voice fills a room this size without pushing anyone into another room, and a DJ with a controller and one speaker does the same job later in the night. The mistake is booking for the party you imagine rather than the square metres you have.
It can, and this is one of the few suburbs where that is a genuine planning question rather than a polite worry. Buildings here often have a rule about amplified sound and a cut off written into the strata by laws, so read them first and tell the act the number before you sign anything. Most will work to a limit happily if they know about it in advance.
About a kilometre, since every one of the nearest ten lists central Sydney as home and none of them is from this suburb. That is a walk rather than a drive, so a travel charge on a quote here is worth a polite question. Darlinghurst and Surry Hills are nearer still and have their own pages if you want a different starting point.
The hours you want, whether they bring their own sound and how much of the night needs continuous music are the three things that move it. One long set costs differently from three short ones with breaks, so decide the shape of the evening before you ask. Where a starting figure appears on a card above, that is the act's own current number.
Plenty of acts have a genuine quiet setup and plenty only have one volume. The difference decides whether your night ends on time or ends in a complaint.
Half the function spaces around here are up a flight with no lift and a drummer will want to know that before the day. Say it in the first message, not in the confirmation.
Loading zones are short, metered and taken by evening, so the act needs a plan for the gear and a plan for the vehicle. Find out where they can legally stop and pass it on.