Four kilometres, and most of that is the bridge. There is barely a suburb in the country where the nearest performers sit closer than they do here, and all ten of them are pinned to central Sydney rather than to a north shore address, which means the order you are reading them in comes from their records with earlier clients rather than from anyone being nearer. Travel will not come up once.
What will come up is noise. Neutral Bay is flats more than houses, a dense run of blocks behind Military Road with balconies facing each other across narrow gaps, and building by-laws that treat amplified music at eleven at night as a matter for the strata committee. Your finish time is not really yours to set.
Top picks are the nearby performers with the most visible reviews, then rating, then the closest; further afield the closest come first, and premium listings break remaining ties. Distances are straight-line from Neutral Bay. Ask each act whether they travel to your venue and what that costs.
Because they are pinned to one point in the middle of the city rather than to their own front doors, so the figure on each card is measured from there. In practice one might live at Crows Nest and another at Newtown. Treat the number as a rough guide and let the reviews do the sorting.
In a large one with an agreeable strata committee, occasionally, but the honest answer for most blocks here is no. A soloist or a duo playing at conversation volume gets you live music without a complaint on the Monday. If a dance floor matters, hire a room somewhere and let the act play at the level they were built for.
The player count and the length of the booking come first, and then a question people forget to ask themselves: do you want music underneath the talking, or music that stops it? Those are frequently two different groups with two different fees. Settle which version you mean, then compare the starting prices on the cards.
Most blocks around here have a written rule about noise and common property, and the caretaker will know it. Get the hour in writing and give it to the act with your first message.
A walk-up with two flights changes what a performer can bring and occasionally what they charge. Say the floor and the access in the enquiry so nobody is surprised at the door.
A performer who is barely a quarter of an hour from your door can drop in and see the space before the day. Very few bookers ask, and it heads off almost everything that otherwise goes wrong.