Concrete floor, brick walls, a ceiling six metres up and no soft furnishing anywhere. That describes most of the function spaces around here, because most of them used to be factories, and it is the single thing that decides whether your night sounds good or sounds like a swimming pool. Book the act that has played a room like it before.
Five kilometres separates you from central Sydney and that is where all ten of the nearest acts are based. Nobody is going to blink at that trip. All ten carry reviews from past clients as well, which is useful, because what you want to read is whether they held a big open space together.
Top picks are the nearby performers with the most visible reviews, then rating, then the closest; further afield the closest come first, and premium listings break remaining ties. Distances are straight-line from Alexandria. Ask each act whether they travel to your venue and what that costs.
Hard surfaces bounce everything back, so notes and words overlap before they reach you and the whole thing turns to mush. Acts who work these buildings deal with it by pointing speakers carefully, keeping the low end under control and putting bodies or soft material where they can. It is a skill, so ask for it by name rather than assuming any competent band has it.
A DJ is the easier booking, since one person controls the whole level and can cover a wide floor from one position. A band is the better night if the room is sorted first, which means a proper system and someone mixing. Decide the sound plan and the act choice together rather than one after the other.
Player count and hours do most of the work, and in a room like this the production adds to it, because a bare space needs gear that a pub already owns. Ask whether the figure quoted includes a system big enough for the room or assumes you are hiring one. That question changes the comparison more than the headline number does.
In a hard room the difference between a good night and a shouting match is whether someone is mixing or the band is setting levels and hoping. It is worth paying for the answer.
A single speaker at one end leaves the far corner in silence and the front row deafened. Ask how they cover the space, not how loud they can go.
Load in is often easy here and parking is often impossible, which is the reverse of most suburbs. Check where the van can legally sit for four hours before the day.