Melbourne has a deeper circus workforce than any other Australian city, largely because the training schools are here and graduates stay. The acts below cluster in the inner west and around Collingwood, and a lot of them perform several disciplines, so the person listed as an aerialist may also stilt walk and spin fire.
Settle your ceiling height and your floor space before you enquire. Aerial work needs a rigging point properly certified, fire needs outdoor clearance and a permit conversation, and a juggler needs almost nothing at all. Tell each act your room and they will tell you quickly whether they fit in it.
Top picks are the acts in this category in Melbourne, with premium listings first (no visible client reviews or ratings in this list).
It swings more than any other category because the work does. One roving performer for an hour and a rigged aerial routine with a safety crew are different products with different insurance behind them, and very few acts here publish a figure at all. The list below shows what is available, so enquire with three and compare like for like on time, crew and equipment.
The venue or the council usually sets the terms, and an experienced fire performer will already know what your council asks for. Expect a conversation about clearance distances, a fire extinguisher on site and often written notice to the property. If any of that is a problem, an LED routine gives you the same effect with none of the paperwork.
Roving performers during arrivals and canapes, because they work the whole room rather than asking everyone to stop and face one direction. Champagne skirts, living statues and stilt walkers all do this well in the big city function rooms. Save a feature routine for after people have a drink in hand and somewhere to look.
Many do, and some run workshops where the kids learn a trick rather than just watching. Ask directly whether the act is built for a young audience, because a late-night fire routine and a children's juggling session are the same performer doing two unrelated jobs. Check working with children requirements with the act as part of that conversation.
Aerial hoop and silks both need real clearance and a rigging point the venue will approve in writing. A Melbourne warehouse with exposed beams is not automatically a yes, so ask the venue first and the performer second.
Stilt walkers, jugglers and living statues work a crowd for an hour with no stage, no rig and no run sheet. If your space is awkward or your timings are loose, that is the booking that cannot go wrong.
A fire performer needs clearance overhead and underfoot, a safety person and the venue's agreement in advance. LED gear does the same visual job indoors, and plenty of Melbourne performers carry both sets.