The thing to compare between two artists is not the hourly rate. It is how many faces come out of an hour, because that is what decides whether most of your guests go home holding something or just the first fifteen who noticed the queue.
Barely any of the artists here show what they charge, which makes this a page to enquire from rather than one to shop on. Write four lines with your date, your venue, your headcount and the hours you want, send it to half a dozen artists the same afternoon, and you will know where you stand by tomorrow.
Top picks are the acts in this category in Melbourne, without a review, rating or premium ranking: all these sort keys are tied.
Bookings run hourly with a minimum block, and a two or three hour stretch at a party is the usual shape. Very few Melbourne artists show a price here, so treat this page as a list to enquire with rather than a table to shop. When the replies come in, divide each one by the drawings that artist gets through in an hour, because that is the comparison that actually means something.
A fast black and white sketch of one person is a few minutes, a detailed colour piece several times that, and a couple in a single drawing sits somewhere between. Ask each artist for their own number rather than working from an average, since speed at a consistent standard is the whole skill. If your guest list is long, two artists working the same room is often better value than adding an hour.
Most will put an event name or a company logo on each sheet if you ask when you book, and digital artists can usually email you the full set of images afterwards. That set is a useful thing to have for an internal newsletter or a wall in the office. Send the artwork you want used well before the day, not on the morning.
Nobody here has a rating attached, so the work itself has to answer for them. Ask each artist for a run of pictures from one real event rather than a portfolio of their favourites. Consistency at speed is what you are buying, and a highlight set hides it. Then look at whether the likenesses are kind, because a drawing that makes a guest wince is the one thing that goes wrong here.
A quick line sketch moves several times faster than a detailed colour piece, and couples in one picture halve the queue. Get the number from each artist, multiply by your hours and hold it against your guest list before you book anything.
Near the bar or the entrance with space behind for onlookers is where this act works, because the people waiting watch the drawing land before the subject does. A dark corner of a Melbourne function room is where it quietly fails.
Paper is handed over on the spot and goes on a fridge that night. Digital means a tablet the crowd can watch, files you can send around afterwards and a print only if the artist carries a printer. Ask which one you are getting.